Native Korean Rock played Union Pool
From self-titled:
While we’re unsure whether or not Monday’s set was pulled from O’s long-awaited solo album, we do know one thing: she’s gone a bit emo (in a good way). And yet, she still has a mesmerizing stage presence, a reminder of why she’s the most important female singer since PJ Harvey and, quite frankly, one of the most important vocalists of our time.
From Modern Age:
The stage was set up like a kid’s school production of “South Pacific”, with a ship bow dead smack front and center, silver cellophane covering the floor, reflecting the blue and purple clear cellophane positioned by the monitors and drum kit–giving the impression of a dreamy sea. A foamy seascape hung as a backdrop.
From Music Slut:
For just about a half hour, she showcased a collection of love songs on par with the latter tracks from Yeah Yeah Yeahs’ Show Your Bones (most notably ‘Warrior’ & ‘Sweets’), backed by a quintet comprised of strings, drums & guitars. While we all know and love Karen for her gravelly howls and mighty stage persona, it’s sometimes easy to forget that her demure side is just as impressive & captivating.
